Paperback

On Writing

Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You're right there with the young author as he's tormented by poison ivy, gas-passing babysitters, uptight schoolmarms, and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash." But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber." As a young adult raising a family in a trailer, King started a story inspired by his stint as a janitor cleaning a high-school girls locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolized his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing."

King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story, and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph, and literary models. He shows what you can learn from H.P. Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote.

King isn't just a writer, he's a true teacher. --Tim Appelo

"Long live the King" hailed Entertainment Weekly upon the publication of Stephen King's On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. King's advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported near-fatal accident in 1999 -- and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it -- fans, writers, and anyone who loves a great story well told.

For years I dreamed of having the sort of massive oak slab that would dominate a room.... In 1981 I got the one I wanted and placed it in the middle of a spacious, skylighted study in the rear of the house. For six years I sat behind that desk either drunk or wrecked out of my mind.... A year or two after I sobered up, I got rid of that monstrosity and put in a living-room suite where it had been....In the early nineties, before they moved on to their own lives, my kids sometimes came up in the evening to watch a basketball game or a movie and eat pizza....I got another desk -- it's handmade, beautiful, and half the size of the T. rex desk. I put it at the far west end of the office, in a corner under the eave....I'm sitting under it now, a fifty-three-year-old man with bad eyes, a gimp leg, and no hangover. I'm doing what I know how to do, and as well as I know how to do it. I came through all the stuff I told you about ... and now I'm going to tell you as much as I can about the job.... It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn't in the middle of the room. Life isn't a support-system for art. It's the other way around. --

Wastelands: Stories of the Apocalypse

Famine, Death, War, and Pestilence: The Four Horsemen of the Apocalypse, the harbingers of Armageddon - these are our guides through the Wastelands... From the Book of Revelations to The Road Warrior; from A Canticle for Leibowitz to The Road, storytellers have long imagined the end of the world, weaving tales of catastrophe, chaos, and calamity. Gathering together the best post-apocalyptic literature of the last two decades from many of today's most renowned authors of speculative fiction, including George R.R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King, Wastelands explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon.

The Stand: Expanded Edition: For the First Time Complete and Uncut (Signet)

In 1978, science fiction writer Spider Robinson wrote a scathing review of The Stand in which he exhorted his readers to grab strangers in bookstores and beg them not to buy it.

The Stand is like that. You either love it or hate it, but you can't ignore it. Stephen King's most popular book, according to polls of his fans, is an end-of-the-world scenario: a rapidly mutating flu virus is accidentally released from a U.S. military facility and wipes out 99 and 44/100 percent of the world's population, thus setting the stage for an apocalyptic confrontation between Good and Evil.

"I love to burn things up," King says. "It's the werewolf in me, I guess.... The Stand was particularly fulfilling, because there I got a chance to scrub the whole human race, and man, it was fun! ... Much of the compulsive, driven feeling I had while I worked on The Stand came from the vicarious thrill of imagining an entire entrenched social order destroyed in one stroke."

There is much to admire in The Stand: the vivid thumbnail sketches with which King populates a whole landscape with dozens of believable characters; the deep sense of nostalgia for things left behind; the way it subverts our sense of reality by showing us a world we find familiar, then flipping it over to reveal the darkness underneath. Anyone who wants to know, or claims to know, the heart of the American experience needs to read this book. --Fiona Webster

It's the end of the world...

as only Stephen king could imagine it.

Humanity has been all but wiped out by a lethal virus. But the survivors are divided by light and darkness, and must face a final battle that will decide the fate of more than their lives: their very souls...

The Living Dead

"When there's no more room in hell, the dead will walk the earth!" From White Zombie to Dawn of the Dead, Resident Evil to World War Z, zombies have invaded popular culture, becoming the monsters that best express the fears and anxieties of the modern west. Gathering together the best zombie literature of the last three decades from many of today's most renowned authors of fantasy, speculative fiction, and horror, including Stephen King, Harlan Ellison, Robert Silverberg, George R. R. Martin, Clive Barker, Poppy Z. Brite, Neil Gaiman, Joe Hill, Laurell K. Hamilton, and Joe R. Lansdale, The Living Dead covers the broad spectrum of zombie fiction.

Wolves of the Calla (The Dark Tower, Book 5)

Set in a world of extraordinary circumstances, filled with stunning visual imagery and unforgettable characters, the DARK TOWER series is unlike anything you have ever read.

Here is the fifth installment, "one of the strongest entries yet in what will surely be a master storyteller's magnum opus" (Locus).

Roland Deschain and his ka-tet are bearing southeast through the forests of Mid-World on their quest for the Dark Tower. Their path takes them to the outskirts of Calla Bryn Sturgis. But beyond the tranquil farm town, the ground rises to the hulking darkness of Thunderclap, the source of a terrible affliction that is stealing the town's soul. The wolves of Thunderclap and their unspeakable depredation are coming. To resist them is to risk all, but these are odds the gunslingers are used to. Their guns, however, will not be enough....

"Roland Deschain and his ka-tet are bearing southeast through the forests of Mid-World, the almost timeless landscape that seems to stretch from the wreckage of civility that defined Roland's youth to the crimson chaos that seems the future's only promise. Readers of Stephen King's epic series know Roland well, or as well as this enigmatic hero can be known. They also know the companions who have been drawn to his quest for the Dark Tower: Eddie Dean and his wife, Susannah; Jake Chambers, the boy who has come twice through the doorway of death into Roland's world; and Oy, the Billy-Bumbler. In this long-awaited fifth novel in the saga, their path takes them to the outskirts of Calla Bryn Sturgis, a tranquil valley community of farmers and ranchers on Mid-World's borderlands. Beyond the town, the rocky ground rises toward the hulking darkness of Thunderclap, the source of a terrible affliction that is slowly stealing the community's soul. One of the town's residents is Pere Callahan, a ruined priest who, like Susannah, Eddie, and Jake, passed through one of the portals that lead both into and out of Roland's world. As Father Callahan tells the ka-tet the astonishing story of what happened following his shamed departure from Maine in 1977, his connection to the Dark Tower becomes clear, as does the danger facing a single red rose in a vacant lot off Second Avenue in midtown Manhattan. For Calla Bryn Sturgis, danger gathers in the east like a storm cloud. The Wolves of Thunderclap and their unspeakable depredation are coming. To resist them is to risk all, but these are odds the gunslingers are used to, and they can give the Calla-folken both courage and cunning. Their guns, however, will not be enough. "

The Drawing of the Three (The Dark Tower, Book 2)

Beginning with a short story appearing in The Magazine of Fantasy and Science Fiction in 1978, the publication of Stephen King's epic work of fantasy-what he considers to be a single long novel and his magnum opus-has spanned a quarter of a century.

Set in a world of extraordinary circumstances, filled with stunning visual imagery and unforgettable characters, The Dark Tower series is King's most visionary feat of storytelling, a magical mix of science fiction, fantasy, and horror that may well be his crowning achievement. In November 2003, the fifth installment, Wolves of the Calla, will be published under the imprint of Donald M. Grant, with distribution and major promotion provided by Scribner. Song of Susannah, Book VI, and The Dark Tower, Book VII, will follow under the same arrangement in 2004. With these last three volumes finally on the horizon, readers-countless King readers who have yet to delve into The Dark Tower and a multitude of new and old fantasy fans-can now look forward to reading the series straight through to its stunning conclusion. Viking's elegant reissue of the first four books ensures that for the first time The Dark Tower will be widely available in hardcover editions for this eager readership.

The Gunslinger (The Dark Tower, Book 1)

Thirty-three years, a horrific and life-altering accident, and thousands of desperately rabid fans in the making, Stephen King's quest to complete his magnum opus rivals the quest of Roland and his band of gunslingers who inhabit the Dark Tower series. Loyal DT fans and new readers alike will appreciate this revised edition of The Gunslinger, which breathes new life into Roland of Gilead, and offers readers a "clearer start and slightly easier entry into Roland's world."

King writes both a new introduction and foreword to this revised edition, and the ever-patient, ever-loyal "constant reader" is rewarded with secrets to the series's inception. That a "magic" ream of green paper and a Robert Browning poem, came together to reveal to King his "ka" is no real surprise (this is King after all), but who would have thought that the squinty-eyed trio of Clint Eastwood, Lee Van Cleef, and Eli Wallach would set the author on his true path to the Tower? While King credits Tolkien for inspiring the "quest and magic" that pervades the series, it was Sergio Leone's The Good, the Bad, and the Ugly that helped create the epic proportions and "almost absurdly majestic western backdrop" of Roland's world.

To King, The Gunslinger demanded revision because once the series was complete it became obvious that "the beginning was out of sync with the ending." While the revision adds only 35 pages, Dark Tower purists will notice the changes to Allie's fate and Roland's interaction with Cort, Jake, and the Man in Black--all stellar scenes that will reignite the hunger for the rest of the series. Newcomers will appreciate the details and insight into Roland's life. The revised Roland of Gilead (nee Deschain) is embodied with more humanity--he loves, he pities, he regrets. What DT fans might miss is the same ambiguity and mystery of the original that gave the original its pulpy underground feel (back when King himself awaited word from Roland's world). --Daphne Durham

"An impressive work of mythic magnitude. May turn out to be Stephen King's greatest literary achievement." (Atlanta Journal-Constitution)

"Brilliant, fresh, and compelling...will leave you panting for more." (Booklist)

Filled with ominous landscapes and macabre menace, Stephen King's latest mass market novel features The Gunslinger, a haunting figure in combat with The Man in Black in an epic battle of good versus evil. A spellbinding tale that is both grippingly realistic and eerily dreamlike

Different Seasons (Signet)

Different Seasons (1982) is a collection of four novellas, markedly different in tone and subject, each on the theme of a journey. The first is a rich, satisfying, nonhorrific tale about an innocent man who carefully nurtures hope and devises a wily scheme to escape from prison. The second concerns a boy who discards his innocence by enticing an old man to travel with him into a reawakening of long-buried evil. In the third story, a writer looks back on the trek he took with three friends on the brink of adolescence to find another boy's corpse. The trip becomes a character-rich rite of passage from youth to maturity.

These first three novellas have been made into well-received movies: "Rita Hayworth and Shawshank Redemption" into Frank Darabont's 1994 The Shawshank Redemption (available as a screenplay, a DVD film, and an audiocassette), "Apt Pupil" into Bryan Singer's 1998 film Apt Pupil (also released in 1998 on audiocassette), and "The Body" into Rob Reiner's Stand by Me (1986).

The final novella, "Breathing Lessons," is a horror yarn told by a doctor, about a patient whose indomitable spirit keeps her baby alive under extraordinary circumstances. It's the tightest, most polished tale in the collection. --Fiona Webster

Four mesmerizing novellas, including the ones that inspired the movies The Shawshank Redemption, Apt Pupil, and Stand by Me.

The Dark Tower VI: Song of Susannah (The Dark Tower)

The next-to-last novel in Stephen King's seven-volume magnum opus, Song of Susannah is a fascinating key to the unfolding mystery of the Dark Tower.

To give birth to her "chap," demon-mother Mia has usurped the body of Susannah Dean and used the power of Black Thirteen to transport to New York City in the summer of 1999. The city is strange to Susannah...and terrifying to the "daughter of none" who shares her body and mind.

Saving the Tower depends not only on rescuing Susannah but also on securing the vacant lot Calvin Tower owns before he loses it to the Sombra Corporation. Enlisting the aid of Manni senders, the remaining ka-tet climbs to the Doorway Cave...and discovers that magic has its own mind. It falls to the boy, the billy bumbler, and the fallen priest to find Susannah-Mia, who in a struggle to cope -- with each other and with an alien environment -- "go todash" to Castle Discordia on the border of End-World. In that forsaken place, Mia reveals her origins, her purpose, and her fierce desire to mother whatever creature the two of them have carried to term.

Eddie and Roland, meanwhile, tumble into western Maine in the summer of 1977, a world that should be idyllic but isn't. For one thing, it is real, and the bullets are flying. For another, it is inhabited by the author of a novel called Salem's Lot, a writer who turns out to be as shocked by them as they are by him.

"Stephen King The Dark Tower VI: Song of Susannah with 10 full-color illustrations by Darrel Anderson The next-to-last novel in Stephen King's seven-volume magnum opus, Song of Susannah is at once a book of revelation, a fascinating key to the unfolding mystery of the Dark Tower, and a fast-paced story of double-barreled suspense. To give birth to her ""chap,"" demon-mother Mia has usurped the body of Susannah Dean and used the power of Black Thirteen to transport to New York City in the summer of 1999. The city is strange to Susannah...and terrifying to the ""daughter of none,"" who shares her body and mind. Saving the Tower depends not only on rescuing Susannah but also on securing the vacant lot Calvin Tower owns before he loses it to the Sombra Corporation. Enlisting the aid of Manni senders, the remaining katet climbs to the Doorway Cave...and discovers that magic has its own mind. It falls to the boy, the billy-bumbler, and the fallen priest to find Susannah-Mia, who, in a struggle to cope -- with each other and with an alien environment -- ""go todash"" to Castle Discordia on the border of End-World. In that forsaken place, Mia reveals her origins, her purpose, and her fierce desire to mother whatever creature the two of them have carried to term. Eddie and Roland, meanwhile, tumble into western Maine in the summer of 1977, a world that should be idyllic but isn't. For one thing, it is real, and the bullets are flying. For another, it is inhabited by the author of a novel called 'Salem's Lot, a writer who turns out to be as shocked by them as they are by him. These are the simple vectors of a story rich in complexity and conflict. Its dual climaxes, one at the entrance to a deadly dining establishment and the other appended to the pages of a writer's journal, will leave readers gasping for the saga's final volume (which, Dear Reader, follows soon, say thank ya)."

It (Signet Books)

They were seven teenagers when they first stumbled upon the horror. Now they were grown-up men and women who had gone out into the big world to gain success and happiness. But none of them could withstand the force that drew them back to Derry, Maine to face the nightmare without an end, and the evil without a name. What was it? Read It and find out...if you dare!

They were just kids when they stumbled upon the horror of their hometown. Now, as adults, none of them can withstand the force that has drawn them all back to Derry, Maine, to face the nightmare without end, and the evil without a name...