Christ the Lord: The Road to Cana (Christ the Lord)
by Anne Rice
from Knopf
Anne Rice’s second book in her hugely ambitious and courageous life of Christ begins during his last winter before his baptism in the Jordan and concludes with the miracle at Cana.
It is a novel in which we see Jesus—he is called Yeshua bar Joseph—during a winter of no rain, endless dust, and talk of trouble in Judea.
Legends of a Virgin birth have long surrounded Yeshua, yet for decades he has lived as one among many who come to the synagogue on the Sabbath. All who know and love him find themselves waiting for some sign of the path he will eventually take.
And at last we see him emerge from his baptism to confront his destiny—and the Devil. We see what happens when he takes the water of six great limestone jars, transforms it into cool red wine, is recognized as the anointed one, and urged to call all Israel to take up arms against Rome and follow him as the prophets have foretold.
As with Out of Egypt, the opening novel, The Road to Cana is based on the Gospels and on the most respected New Testament scholarship. The book’s power derives from the profound feeling its author brings to the writing and the way in which she summons up the presence of Jesus.
The Claiming of Sleeping Beauty
by A. N. Roquelaure
from Plume
Rice writing as A. N. Roquelaure.
In the traditional folk tale "Sleeping Beauty," the spell cast upon the lovely young princess and everyone in her castle can only be broken by the kiss of a Prince. Anne Rice's retelling of the Beauty story probes the unspoken implications of this lush, suggestive tale by exploring its undeniable connection to sexual desire.
Complete Vampire Chronicles (Interview with the Vampire, The Vampire Lestat, The Queen of the Damned, The Tale of the body Thief)
by Anne Rice
from Ballantine Books
For the first time you can find all your favorite night-stalking, blood-guzzling undead--Lestat, Claudia, Louis, Akasha, Armand, and Memnoch--all in the same place at the same time. Here, collected in one box-set, are the four bestselling, original titles of Anne Rice's sprawling vampire series.
Christ the Lord: Out of Egypt: A Novel
by Anne Rice
from Ballantine Books
Having completed the two cycles of legend to which she has devoted her career so far, Anne Rice gives us now her most ambitious and courageous book, a novel about the early years of CHRIST THE LORD, based on the Gospels and on the most respected New Testament scholarship.
The book’s power derives from the passion its author brings to the writing and the way in which she summons up the voice, the presence, the words of Jesus who tells the story.
From the Hardcover edition.
Anne Rice is the author of twenty-six books. She lives in La Jolla, California.
From the Hardcover edition.
Beauty's Punishment (Sleeping Beauty)
by A. N. Roquelaure
from Plume
This sequel to The Claiming of Sleeping Beauty, the first of Anne Rice's elegantly written volumes of erotica, continues her explicit, teasing exploration of the psychology of human desire. Beauty, having indulged in a secret and forbidden infatuation with the rebellious slave Prince Tristan, is sent away from the Satyricon-like world of the castle. Once again Rice's fabulous tale of pleasure and pain dares to explore the most primal and well-hidden desires of the human heart.
Beauty's Release: The Conclusion of the Classic Erotic Trilogy of Sleeping Beauty
by A. N. Roquelaure
from Plume
In the final volume of Anne Rice's deliciously tantalizing erotic trilogy, Beauty's adventures on the dark side of sexuality make her the bound captive of an Eastern Sultan and a prisoner in the exotic confines of the harem. In Beauty's Release, Anne Rice makes the forbidden side of passion a doorway into the hidden regions of the psyche and the heart.
The Witching Hour (Lives of the Mayfair Witches)
by Anne Rice
from Ballantine Books
In this engrossing and hypnotic tale of witchcraft and the occult spanning four centuries, we meet a great dynasty of witches--a family given to poetry and incest, to murder and philosophy, a family that over the ages is haunted by a powerful, dangerous and seductive being.
Demonstrating once again her gift for spellbinding stoyrtelling, Anne Rice makes real a family of witches--a family given to poetry and incest, to murder and philsophy, a family that is itself haunted by a powerful, dangerous and seductive being.
"Unfolds like a poisonous lotus blossom redolent with luxurious evil."
THE LOS ANGELES TIMES
Memnoch the Devil (Vampire Chronicles, No 5)
by Anne Rice
from Ballantine Books
The fifth volume of Rice's Vampire Chronicles is one of her most controversial books. The tale begins in New York, where Lestat, the coolest of Rice's vampire heroes, is stalking a big-time cocaine dealer and religious-art smuggler--this guy should get it in the neck. Lestat is also growing fascinated with the dealer's lovely daughter, a TV evangelist who's not a fraud.
Lestat is also being stalked himself, by some shadowy guy who turns out to be Memnoch, the devil, who spirits him away. From here on, the book might have been called Interview with the Devil (by a Vampire). It's a rousing story interrupted by a long debate with the devil. Memnoch isn't the devil as ordinarily conceived: he got the boot from God because he objected to God's heartless indifference to human misery. Memnoch takes Lestat to heaven, hell, and throughout history.
Some readers are appalled by the scene in which Lestat sinks his fangs into the throat of Christ on the cross, but the scene is not a mere shock tactic: Jesus is giving Lestat a bloody taste in order to win him over to God's side, and Rice is dead serious about the battle for his soul. Rice is really doing what she did as a devout young Catholic girl asked to imagine in detail what Christ's suffering felt like--it's just that her imagination ran away with her.
If you like straight-ahead fanged adventure, you'll likely enjoy the first third; if you like Job-like arguments with God, you'll prefer the Memnoch chapters. --Tim Appelo
"STARTLING . . . FIENDISH . . . MEMNOCH'S TALE IS COMPELLING."
--New York Daily News
"Like Interview with the Vampire, Memnoch has a half-maddened, fever-pitch intensity. . . . Narrated by Rice's most cherished character, the vampire Lestat, Memnoch tells a tale as old as Scripture's legends and as modern as today's religious strife."
--Rolling Stone
"SENSUAL . . . BOLD, FAST-PACED."
--USA Today
"Rice has penned an ambitious close to this long-running series. . . . Fans will no doubt devour this."
--The Washington Post Book World
"MEMNOCH THE DEVIL OFFERS PASSAGES OF POETIC BRILLIANCE."
--Playboy
"[MEMNOCH] is one of Rice's most intriguing and sympathetic characters to date. . . . Rice ups the ante, taking Lestat where few writers have ventured: into heaven and hell itself. She carries it off in top form."
--The Seattle Times
The Vampire Armand (The Vampire Chronicles) Book 6
by Anne Rice
from Ballantine Books
In The Vampire Armand, Anne Rice returns to her indomitable Vampire Chronicles and recaptures the gothic horror and delight she first explored in her classic tale Interview with the Vampire (in which Armand, played by Antonio Banderas in the film version, made his first appearance as director of the Théâtre des Vampires).
The story begins in the aftermath of Memnoch the Devil. Vampires from all over the globe have gathered around Lestat, who lies prostrate on the floor of a cathedral. Dead? In a coma? As Armand reflects on Lestat's condition, he is drawn by David Talbot to tell the story of his own life. The narrative abruptly rushes back to 15th-century Constantinople, and the Armand of the present recounts the fragmented memories of his childhood abduction from Kiev. Eventually, he is sold to a Venetian artist (and vampire), Marius. Rice revels in descriptions of the sensual relationship between the young and still-mortal Armand and his vampiric mentor. But when Armand is finally transformed, the tone of the book dramatically shifts. Raw and sexually explicit scenes are displaced by Armand's introspective quest for a union of his Russian Orthodox childhood, his hedonistic life with Marius, and his newly acquired immortality. These final chapters remind one of the archetypal significance of Rice's vampires; at their best, Armand, Lestat, and Marius offer keen insights into the most human of concerns.
The Vampire Armand is richly intertextual; readers will relish the retelling of critical events from Lestat and Louis's narratives. Nevertheless, the novel is very much Armand's own tragic tale. Rice deftly integrates the necessary back-story for new readers to enter her epic series, and the introduction of a few new voices adds a fresh perspective--and the promise of provocative future installments. --Patrick O'Kelley
Die-hard Anne Rice fans will enjoy listening to this unabridged version of her latest installment of The Vampire Chronicles--the tale of the soulful, eternally young, Botticelli-faced Armand. Reader Jonathan Marosz instills a lot of effort as well as time--a mind-blowing 16 hours--as he uses several voices to take us from modern-day New Orleans back through 500 years of history in this bodice ripper without bodices. Marosz deftly handles the anguished conversations, the bloody feedings, and the ripe homosexual erotica that is bound to turn ears red. Familiarity with Rice's earlier Vampire Chronicles works will help; new Vampire Chronicles listeners may find themselves hitting rewind frequently as they try to discern dialogue, character relationships, and history. (Running time: 16 hours, 10 cassettes) --Kimberly Heinrichs
See the difference, read #1 bestselling author Anne Rice in Large Print
* About Large Print
All Random House Large Print editions are published in a 16-point typeface
In the latest installment of The Vampire Chronicles, Anne Rice summons up dazzling worlds to bring us the story of Armand - eternally young, with the face of a Botticelli angel. Armand, who first appeared in all his dark glory more than twenty years ago in the now-classic Interview with the Vampire, the first of The Vampire Chronicles, the novel that established its author worldwide as a magnificent storyteller and creator of magical realms.
Now, we go with Armand across the centuries to the Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Constantinople, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great vampire Marius, who masquerades among humankind as a mysterious, reclusive painter and who will bestow upon Armand the gift of vampiric blood.
As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire, and devil worship to nineteenth-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to choose between his twilight immortality and the salvation of his immortal soul.
From the Trade Paperback edition.
Interview with the Vampire
by Anne Rice
from Ballantine Books
In the now-classic novel Interview with the Vampire, Anne Rice refreshed the archetypal vampire myth for a late-20th-century audience. The story is ostensibly a simple one: having suffered a tremendous personal loss, an 18th-century Louisiana plantation owner named Louis Pointe du Lac descends into an alcoholic stupor. At his emotional nadir, he is confronted by Lestat, a charismatic and powerful vampire who chooses Louis to be his fledgling. The two prey on innocents, give their "dark gift" to a young girl, and seek out others of their kind (notably the ancient vampire Armand) in Paris. But a summary of this story bypasses the central attractions of the novel. First and foremost, the method Rice chose to tell her tale--with Louis' first-person confession to a skeptical boy--transformed the vampire from a hideous predator into a highly sympathetic, seductive, and all-too-human figure. Second, by entering the experience of an immortal character, one raised with a deep Catholic faith, Rice was able to explore profound philosophical concerns--the nature of evil, the reality of death, and the limits of human perception--in ways not possible from the perspective of a more finite narrator.
While Rice has continued to investigate history, faith, and philosophy in subsequent Vampire novels (including The Vampire Lestat, The Queen of the Damned, The Tale of the Body Thief, Memnoch the Devil, and The Vampire Armand), Interview remains a treasured masterpiece. It is that rare work that blends a childlike fascination for the supernatural with a profound vision of the human condition. --Patrick O'Kelley
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